1.

Sound Modules: Overdrive >> Compressor/NoiseGate >> Flanger >> Delay

Signal from PRS guitar (with Seymour Duncan jazz in neck, SD pearly gates bridge) was going into AGP-1 and then into a Fender super champ tube-amp on clean (no amp sims on amp are used). No effects or EQ were used except those in AGP-1.

Overdrive settings: Drive-65, Tone-0, Volume-58
Compressor/NoiseGate settings: Gain-0, Noisegate-180, Compression-12, Rotation-5
Flanger settings: Speed-25, Depth-65, Manual-11, Feedback-45
Delay settings: Time-20, Blend-40, Repeat-30

Recorded & Performed by Andrew Kenning.

2.

Sound Modules: Distortion >> Delay

Signal from PRS guitar (with Seymour Duncan jazz in neck, SD pearly gates bridge) was going into AGP-1 and then into a Fender super champ tube-amp on clean (no amp sims on amp are used). No effects or EQ were used except those in AGP-1.

Rhythm Track:
Distortion settings: Bass-20, Mid-110, Mid-Shift-60, High-80, Gain-56, Volume-45
Delay settings: Time-20, Blend-30, Repeat-20

Solo (bridge pickup in max. volume) Track:
Distortion settings: Bass-20, Mid-110, Mid-Shift-60, High-80, Gain-56, Volume-45
Delay settings: Time-20, Blend-30, Repeat-20

Recorded & Performed by Andrew Kenning.

3.

Sound Modules: Chorus >> Delay

Signal from PRS guitar (with Seymour Duncan jazz in neck, SD pearly gates bridge) was going into AGP-1 and then into a Fender super champ tube-amp on clean (no amp sims on amp are used). No effects or EQ were used except those in AGP-1.

Chorus settings: Speed-50, Depth-40, Tone-0, Mix.Balance-2
Delay settings: Time-50, Blend-40, Repeat-50

Recorded & Performed by Andrew Kenning.

4.

Sound Modules: Flanger >> Delay

Signal from PRS guitar (with Seymour Duncan jazz in neck, SD pearly gates bridge) was going into AGP-1 and then into a Fender super champ tube-amp on clean (no amp sims on amp are used). No effects or EQ were used except those in AGP-1.

Flanger settings: Speed-69, Depth-70, Manual-5, Feedback-85
Delay settings: Time-55, Blend-60, Repeat-55

Recorded & Performed by Andrew Kenning.

5.

Sound Module: Delay

Signal from PRS guitar (with Seymour Duncan jazz in neck, SD pearly gates bridge) was going into AGP-1 and then into a Fender super champ tube-amp on clean (no amp sims on amp are used). No effects or EQ were used except those in AGP-1.

Delay settings: Time-73, Blend-83, Repeat-90

Recorded & Performed by Andrew Kenning.

6.

Sound Module: Distortion

Signal from PRS guitar (with Seymour Duncan jazz in neck, SD pearly gates bridge) was going into AGP-1 and then into a Fender super champ tube-amp on clean (no amp sims on amp are used). No effects or EQ were used except those in AGP-1.

(Bridge Pickup)
Distortion settings: Bass-29, Mid-169, Mid-Shift-69, High-92, Gain-18, Volume-6

Recorded & Performed by Andrew Kenning.

Sound Modules: Overdrive >> Compressor/NoiseGate >> Delay

Signal from PRS guitar (with Seymour Duncan jazz in neck, SD pearly gates bridge) was going into AGP-1 and then into a Fender super champ tube-amp on clean (no amp sims on amp are used). No effects or EQ were used except those in AGP-1.

Overdrive settings: Drive-95, Tone-0, Volume-30
Compressor/NoiseGate settings: Gain-0, Noisegate-172, Compression-10, Rotation-5
Delay settings: Time-30, Blend-30, Repeat-25

Recorded & Performed by Andrew Kenning.