1.

 

Sound Module: Delay

Signal from Gibson SG Special was going into AGP-1 and then into a Marshall 18-Watt amp with an Eminence Red Fang alnico speaker. The amp was mic'ed with a Shure SM57 with a Digidesign MBox2 pre-amp and recorded on Apple's Logic Express 9. No effects or EQ were used except those in AGP-1.

Delay settings: Time-56, Blend-245, Repeat-85

Composed, Recorded & Performed by Tim Sorensen.

 

 

2.

 

Sound Module: Overdrive

Both tracks were recorded with the guitars going into the AGP-1 into a Marshall 18-Watt set on the upper end of clean. The Marshall was recorded using a Shure SM57 into a Digidesign MBox2 into Apples's Logic Express 9. No effects or EQ were used except those in AGP-1.

Left Track: Samick Valley Arts Stratocaster in pickup position 2
Overdrive settings: Drive-85, Tone-160, Volume-60

Right Track: Gibson Les Paul Deluxe neck pickup
Overdrive settings: Drive-65, Tone-220, Volume-100

Composed, Recorded & Performed by Tim Sorensen.

 

3.

 

Sound Modules: Compressor/NoiseGate >> Metal Distortion

Signal from Gibson SG was going into AGP-1 and then into a Marshall 18-Watt. Marshall was recorded with a Shure SM57 into a Digidesign MBox2 into Apple's Logic. No effects or EQ were used except theose in AGP-1.

Left Track:
Compression settings:Gain-0, Noisegate-0, Compression-255, Rotation-125
Metal Distortion settings: Bass-249, Mid-74, Mid-Shift-140, High-13, Gain-100, Volume-25

Right Track:
Metal Distortion settings: Bass-249, Mid-74, Mid-Shift-140, High-13, Gain-100, Volume-25

Composed, Recorded & Performed by Tim Sorensen.

 

4.

 

Sound Modules: Chorus >> Delay >> SpeakerSimulator

Signal from Gibson Les Paul Deluxe was going into AGP-1 and then direct into Digidesign MBox2 into Apple's Logic. No effects or EQ were used except theose in AGP-1.

Chorus settings: Speed-19, Depth-128, Tone-0, Mix.Balance-128
Delay settings (to add some "room" feel): Time-3, Blend-29, Repeat-26
Speaker Simulator: ON

Composed, Recorded & Performed by Tim Sorensen.

 

5.

 

Sound Modules: Metal Distortion >> Flanger >> Delay

Signal from Fender Telecaster was going into AGP-1 and then into a Marshall 18-Watt. Marshall was recorded with a Shure SM57 into a Digidesign MBox2 into Apple's Logic. No effects or EQ were used except theose in AGP-1.

Intro Palm Muted Track:
Metal Distortion settings: Bass-247, Mid-106, Mid-Shift-245, High-183, Gain-145, Volume-9
Flanger settings: Speed-3, Depth-255, Manual-255, Feedback-247
Delay settings: Time-255, Blend-185, Repeat-100

Rhythm Track:
Metal Distortion settings: Bass-247, Mid-106, Mid-Shift-245, High-183, Gain-145, Volume-9
Flanger settings: Speed-3, Depth-86, Manual-85, Feedback-67
Delay settings: Time-255, Blend-185, Repeat-100

Melody Track:
Flanger settings: Speed-123, Depth-96, Manual-35, Feedback-7
Delay settings: Time-255, Blend-95, Repeat-100

Composed, Recorded & Performed by Tim Sorensen.

 

6.

 

Sound Modules: Compressor/NoiseGate >> Overdrive

Signal from Fender Telecaster was going into AGP-1 and then into a Marshall 18-Watt. Marshall was recorded with a Shure SM57 into a Digidesign MBox2 into Apple's Logic. No effects or EQ were used except theose in AGP-1.

Rhythm Track:
Compressor/NoiseGate settings: Gain-3, NoiseGate-220, Compression-65, Rotation-68

Melody Track:
Compressor/NoiseGate settings: Gain-3, NoiseGate-220, Compression-65, Rotation-68
Overdrive settings: Drive-35, Tone-253, Volume-30

Composed, Recorded & Performed by Tim Sorensen.

 

7.

 

Sound Module: Auto Wah

Signal from Fender Telecaster (neck pickup) was going into AGP-1 and then into a Marshall 18-Watt. Marshall was recorded with a Shure SM57 into a Digidesign MBox2 into Apple's Logic. Slight compression was added in Logic to the guitar track to let it set in the mix slightly better. No effects or EQ were used except theose in AGP-1.

Bass and Drum Loops: Apple Logic

Guitar Track:
Auto Wah settings: SENS-240, MANUAL-215, LPF/WAH-200, Level-160

Composed, Recorded & Performed by Tim Sorensen.

 

8.

 

Sound Modules: Octaver >> Fuzz >> Chorus >> Delay

Signal from Fender Telecaster was going into AGP-1 and then into a Marshall 18-Watt. Marshall was recorded with a Shure SM57 into a Digidesign MBox2 into Apple's Logic. No effects or EQ were used except theose in AGP-1.

Drum Loops: Apple Logic

"Bass" Sound: Signal from standard Telecaster guitar (neck pickup) was going into Octaver to simulate a bass sound output.
Octaver settings: 2OctDown-70, 1OctDown-130, Normal-70, 1OctUp-0

Rhythm Guitar: Telecaster both pickups
Chorus settings: Speed-90, Depth-40, Tone-0, Mix. Balance-253

Solo Guitar: Telecaster neck pickup
Octaver settings: 2OctDown-20, 1OctDown-65, Normal-255, 1OctUp-255
Fuzz settings: Sustain-50, Tone-123, Volume-15
Delay settings: Time-180, Blend-100, Repeat-40

Composed, Recorded & Performed by Tim Sorensen.

 
     

 

 

 

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